By far, my most requested song to learn in voice lessons from both boys and girls right now is “A Million Dreams,” from the film The Greatest Showman. It may not be as tough to sing as “This is Me,” from the same movie, but it poses a unique set of challenges that singers new to belting sometimes struggle with. We thought it would be the perfect addition to our Hard Songs to Sing collection.
Why Is This Song Hard
1. The choruses start low and then quickly build to higher notes, leading some singers to tense up, get shouty, or flip into falsetto and drop out at the top.
2. The bridge has some sustained B4’s that can get tough.
3. The last “A million dreams for the world we’re gonna make” in the song will test your breath control. Seriously.
The Main Choruses
The problem with these choruses that move from low to high is that singers will have a tendency to start at an easy speech tone and then try to yank that speech tone higher and higher until they’re just shouting.
Try not to visualize the vocal line in the chorus as an upward diagonal line.
Instead, think of a series of waves that slowly drift upward.
This visual will do a number of wonderful things: your larynx won’t have a tendency to go higher and higher, the up-and-over visual will help your soft palate lift and your thyroid cartilage tilt (creating a warmer, more open sound), and the downward motion will help prompt you to use good breath support.
In addition to this visual, there are also some vowel and consonant modifications to try. On the word million, the “l” sound will cut you off prematurely, so just swallow it. It should almost come out “mi-eu-yen,” but maybe not quite that far.
Slightly open the “ee” vowels, like be and see. Your tongue should stay in the “ee” position, but your jaw should release in a way it normally wouldn’t on such a thin vowel.
It’s easy to want to shout up to the high notes in the bridge. Since they aren’t crazy high, it feels like you shouldn’t have to set up for them. But don’t be fooled. You still want to keep that up-and-over feeling we discussed in the chorus section.
When you sing eyes at “close my eyes to see,” visualize that up-and-over feeling and sigh down onto it on an “ah,” keeping your soft palate lifted, your face energized and your breath well supported.
The Final Chorus
The arc of the pitches in the “A million dreams for the world we’re gonna make” line in the final chorus is illustrated by the turquoise curves below.
It requires a significant amount of breath support to go up and down like that and tends to lead singers to run out of breath, go flat by the end, or sometimes just get very tense. However, you can mitigate these difficulties by visualizing the arc differently. Instead of thinking of the line as something that goes up and down, have your body in place for the high part the entire time. Visualize the vocal line as if it were more like the dark black diagonal line that moves downward over the top of the curves instead of the curvy turquoise line.
If you’re set up for the high notes before you get to them, instead of trying to readjust every time you feel one coming, you’ll probably use way less air and sing more comfortably and efficiently.
Unlike some of the songs we’ve worked on in our Hard Songs collection, this one probably won’t be out of reach for that long. Whether or not you want to belt most of it, you’ll need a lot of twang in your voice to keep a consistent sound from the lows to the highs. Try this “na na” exercise. For now, just be kind of bratty or witch-like with it.